For 25 centuries, the animal stories which go by the name of Aesop’s Fables have amused and instructed generations of children and adults alike. They are still as fresh and poignant today as they were to the ancient Greeks who composed them. This beautifully illustrated edition contains some of the best-loved fables, including the Boy who cried Wolf, the Lion and the Mouse, the Goose that Laid the Golden Egg, the Hare and the Tortoise, and The Town Mouse and the Country Mouse alongside many of the lesser-known tales. These timeless stories are illustrated with 35 wood engravings by Agnes Miller Parker (1895–1980), one of the greatest British wood engraving artists of the twentieth century. Parker was influenced by the art of Wyndham Lewis and the Cubist and Vorticist movements which flourished in the period between the wars. Her distinctive work is strikingly stylised and deceptively simple. Commissioned in the 1930s by the fine press publisher, Gregynog Press, for their edition of the work, these exquisite wood engravings inspired by the fables are among Parker's finest.

'The Curfew tolls the knell of parting day ...' Thomas Gray's 'Elegy Written in a Country Churchyard' has been loved and admired throughout the centuries. First circulated to a select group of friends, it was rushed to official publication in 1751 in order to avoid pirated copies being sold without the young poet's permission. Praised by Samuel Johnson, reprinted over and over again in Gray's lifetime and recited by generations of school children, it is one of the most famous poems in the English language. This edition reproduces the exquisite wood engravings made by Agnes Miller Parker in 1938. Parker visited the churchyard at St Giles, Stoke Poges, where the poem is set, in order to make her sketches, and all thirty-two stanzas of the poem are accompanied by detailed full-page illustrations. Commemorating the 250th anniversary of the poet's death, this edition will not only bring new readers to the 'Elegy' but will also appeal to those already familiar with its riches.

H E Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer. But why did this place become a part of him? What are the qualities of all woodlands that make them so special? Set in Kent, Bates returns to those trees of his youth to breath life into the changing character of a single woodland year, revealing how precious they are to the English countryside. Our new edition is illustrated throughout with Agnes Miller Parker's wonderful engravings. Little Toller republishes classic books about nature and rural life.

Rivers are great workings of nature, time and geology. They have long been at the very centre of human culture, sustaining us with water, food, power and stories. Our thoughts flow like a river. A river's journey, from source to sea, is a metaphor for life. H.E. Bates's own journey began on the banks and in the waters of two contrasting Midland rivers. The River Nene's jumbled course and character, with its towpaths and locks and bridges, speaks of human industry on its journey to The Wash. The River Ouse, in contrast, with its wide meanders brimmed with reeds and smoky willows, rich in wildlife and wild flowers, is an uplifting, ephemeral water, a river of summer memories and flag irises, the blue pulse of kingfishers and pike lurking in weed-shadows. Peopled by his relatives and neighbours, both the Nene and the Ouse, however different, filled H.E. Bates's imagination with the wonderful stories and characters that make his writing so enjoyable.